![]() Titled Plan B, the fair was staged at two Chelsea locations, one of which was David Zwirner gallery former Volta exhibitors paid a significantly lower fee to show at them. Hort also acted as a savior to younger galleries when, in 2019, he hosted an impromptu New York fair meant to replace Volta, which that year was canceled after the pier where it was traditionally held was found to be unsafe. RISBE takes a maximum of 2% from each transaction.” As the Art Newspaper described it in a piece announcing RISBE’s formation, “the money from a sale goes through a third party, RISBE, which holds it in escrow before releasing a share to both parties-the gallery and the artist or consignor-once the cheque clears. In 2016, he formed a business called RISBE, whose focus was ensuring that artists would receive payment from galleries. Yet Hort’s connections in the art world extended beyond his collecting. ![]() Many of the artists Hort collected had in some way received funding from the Rema Hort Mann Foundation, which provides grants to young artists and cancer patients. The collecting bug stuck, and in the years afterward, he would acquire works by Keltie Ferris, Jeanette Mundt, Jon Pestoni, Sara Greenberger Rafferty, Cynthia Daignault, Ella Kruglyanskaya, and more. ![]() “The artist who is hot today, who may or may not be hot tomorrow, isn’t necessarily what I am interested in,” he told Artspace in a 2014 interview.īorn in 1971, Hort recalled in the Artspace interview that, as a teenager, when his friends were getting computers, he was receiving works by the likes of Tim Rollins and K.O.S. Hans-Peter Feldmann, German Conceptual Artist with a Prankish Love for the Ordinary, Dies at 82 ![]()
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